Biancaneve (Live Action), Walt Disney Pictures Opzioni

[Daydreamer]

BadTaste rilancia l'analisi di Forbes (non proprio Skyler Shuler ), il film finirà per costare 250 milioni di dollari.

Articolo qui

[veu]

Fobes però in tutti i suoi articoli dice che le sue sono proiezioni di analisi e indica in maniera approssimativa i costi di sgravi fiscali. Considerando che il merchandising comunque avrà un suo ritorno (e quindi è a parte) e il film è finito probabilmente tra sgravi fiscali e tutto finirà per costare sui 160 milioni (che è decisamente meno di Maleficent, Aladdin, La Bella e la Bestia, Mulan e La Sirenetta)...

[CostanzaM]

Sono d’accordo su più punti veu, ma il ritardo di uscita è legato, come per tanti film, allo sciopero degli attori. Non vogliono rinunciare ai junket e alle interviste e interventi promozionali del cast. C’è da capirli. Non sono film di Martin Scorsese o, che ne so, di Christopher Nolan.

Io terrei presente anche la questione Gal Gadot, aperta sostenitrice di Netanyahu. Forse non è un buon momento per lanciarla come cattivona, sciopero o no.

[veu]

In un'intervista a Variety in occasione della prima a Londra del film Hunger Games, Rachel Zegler parla anche di Biancaneve:

Da Variety:

‘Hunger Games’ Star Rachel Zegler Channeled Dolly Parton, Patsy Cline and Joan Baez for the Music of ‘Songbirds and Snakes’

[...]

Zegler’s next big role is that of iconic Disney princess Snow White in the studio’s live-action remake. On Oct. 27, Disney shared a first-look image of Zegler and the dwarfs, revealing that they are rendered by CGI, which came as a shock to some. When asked about the dwarfs, Zegler replied: “I’m just really excited to get to share that movie with everyone in March 2025. We’ve got a lot of magic up our sleeve.”

[...]

[Hiroe]

Secondo me questo film poteva costare molto meno con dei nanetti interpretati in tutto e per tutto da attori veri, se arriverà a costare tanto sarà per l'enorme CGI utilizzata per i nani, che prevedo che saranno presenti in gran parte del film (spero), e forse per gli animali, per i quali utilizzeranno la stessa CGI del Re Leone &co.. secondo me il budget è troppo alto per una produzione simile, arriverà a raddoppiare il costo al box office? Difficile che faccia meglio della Sirenetta...

[veu]

Hiroe, però conta che i Nani sono interpretati da attori veri e rielaborano solo delle cose in CGI, per il resto sono attori veri e usano delle protesi (tant'è che ci lavora l'artista che ha realizzato il Pinocchio di Matteo Garrone, non il Pinocchio della Disney) e Klebba interpreta Brontolo (lo ha confermato lui stesso). che i nani abbiano ruolo è scontato, ci sono e avranno tante scene
Quindi la CGI ci sarà ma pensiamo sia per aggiustare qualcosa, i nani non sono creati in CGI ma ci sono attori veri (altrimenti perché avrebbero ingaggiato Klebba?)... sugli animali, qualcuno sarà vero (ci sono stati diversi cavalli, cervi, daini, lepri, volpi e fagiani sul set) , secondo noi ne usano di veri e poi ne creano qualcuno in CGI...
sull'incasso, vedremo come sarà pubblicizzato perchè per far successo un film deve avere una componente marketing molto forte (pubblicità e merchandising)...

[Hiroe]

Non mettevo in discussione il fatto che i nani ci fossero o meno, o il fatto che la base della recitazione venga da attori umani, ma mi stupivo del fatto che alla fine questo film venisse a costare come La Sirenetta, visto che non aveva scene con CGI pesante come le scene subacquee della Sirenetta o altri mostri vari

[veu]

sinceramente dubitiamo davvero che costi come La Sirenetta... anzi, pensiamo che il budget sia ben più basso... poi magari ci sbagliamo, speriamo di sbagliarci e di avere un film con un grande budget però non crediamo arriverà a costare quanto La Sirenetta... su Biancaneve ormai ne hanno dette di tutti i colori, quindi finché non leggiamo un comunicato ufficiale della Disney su un budget di 200/250/300 milioni non ci crediamo proprio... fosse su altri remake o film potremmo crederci, su questo, dato tutto quello che è stato detto dagli haters per remare contro la pellicola, aspettiamo i comunicati ufficiali

[Daydreamer]

Secondo quanto proferito in quest'articolo, il film dovrebbe guadagnare almeno 340 milioni di euro per recuperare i costi e non dichiararsi un flop.

[Hiroe]

Vabbè 340 mln sono già più auspicabili... Secondo me ce la farà, dai, un po' di richiamo ce l'ha il nome di Biancaneve e la Zegler è più assimilabile alla controparte animata della Bailey per la Sirenetta...

[veu]

ma infatti come linea aspettarsi 340 milioni può essere una previsione credibile... certo con Biancaneve secondo noi la loro idea massima di incasso è 300/500 milioni, non di più, quindi figurarsi se pensano al miliardo... poi ovvio una company spera sempre nel miliardo ma sinceramente crediamo che per Biancaneve si siano sin dall'approvazione del progetto fermati a bancarla dai 200 ai 400/500 milioni, non di più (e questo lo si vede anche dalla totale assenza di pubblicità sui casting durante le riprese)

[Daydreamer]

Nuove dichiarazioni della Zegler sul personaggio, più ammorbidite e accondiscendenti.
La Disney sarà intervenuta con i suoi correttivi.

Fonte: BadTaste

[veu]

La Zegler dice chiaramente:

"Una cosa che è emersa è che Biancaneve troverà una leader dentro sé stessa, un aspetto che gli sceneggiatori hanno voluto e che mi ha reso felice. Troverà questo suo lato nel corso del film e grazie alle persone che la amano e che le dimostrano affetto. Io e Marc Webb ci siamo detti che è come se aprisse il suo terzo occhio. Ci sono un paio di scene in cui parla come se avesse molti più anni di quanti ne ha, che è una cosa che riguarda anche me, visto che me lo dicono da tutta la vita. Perciò apportare queste caratteristiche a un personaggio che amo così profondamente e con cui ho passato così tanto tempo è splendido, non vedo l’ora di mostrarla alle persone."

Quindi dice che ama il suo personaggio... basterà finalmente per chiudere queste inutili polemiche sul fatto che non ama Biancaneve? polemiche derivate non certo dalle sue parole?

[Hiroe]

Vabbè ma che deve dire? Ma Ve lo siete scordati che aveva detto che avrà visto una sola volta Biancaneve da piccola perché le faceva paura la regina e non l'ha mai più voluto vedere? Bah...

[Daydreamer]

Per non parlare della scocciatura di portare un abito da principessa per 20 ore al giorno o robe simili, con la sufficienza e il fastidio di un’attrice navigata. E infatti lo ribadisco. Disney, sono convinto, è intervenuta a imbrigliarne le dichiarazioni, perché non combinasse ulteriori guai. Quello che ora dichiara é la sceneggiatura scritta da Disney.

[Fulvio84]

La Zegler dice chiaramente:

"Una cosa che è emersa è che Biancaneve troverà una leader dentro sé stessa, un aspetto che gli sceneggiatori hanno voluto e che mi ha reso felice. Troverà questo suo lato nel corso del film e grazie alle persone che la amano e che le dimostrano affetto. Io e Marc Webb ci siamo detti che è come se aprisse il suo terzo occhio. Ci sono un paio di scene in cui parla come se avesse molti più anni di quanti ne ha, che è una cosa che riguarda anche me, visto che me lo dicono da tutta la vita. Perciò apportare queste caratteristiche a un personaggio che amo così profondamente e con cui ho passato così tanto tempo è splendido, non vedo l’ora di mostrarla alle persone."

Quindi dice che ama il suo personaggio... basterà finalmente per chiudere queste inutili polemiche sul fatto che non ama Biancaneve? polemiche derivate non certo dalle sue parole?

A volte penso .. ci siete o ci fate?
Ormai ovviamente manipolata per salvare il salvabile al riguardo

[veu]

Dal sito The Wrap:

‘Hunger Games’ Star Rachel Zegler Talks Snow White and Being Starstuck by Viola Davis

“The second I stop having ‘pinch me’ moments, I’ve lost the joy and the gratitude that I have for what I’m able to do,” Zegler tells TheWrap

Actress Rachel Zegler didn’t see any pressure to stepping into the world of author Suzanne Collins’ “Hunger Games” prequel, “The Ballad of Songbirds and Snakes.” And she certainly could have, with actress Jennifer Lawrence crafting an iconic character in Katniss Everdeen over a series of four movies. But for Zegler, playing District 12’s Lucy Gray Baird, who is inducted into the first ever Hunger Games meant she didn’t have to fill big shoes, especially in contrast to co-star Tom Blyth, playing Panem President Coriolanus Snow.

“What I really love is Suzanne subverted expectations a bit with this woman from District 12,” Zegler told TheWrap. “So you expect her to be another Katniss because what other kind of female archetype[slash]character could keep Coriolanus haunted for 64, plus, years?” Those subverted expectations included, for Zegler, a character who is mercurial, enigmatic and who “floats above social norms.”

“My ticket in was her voice, her singing obviously, because it’s second nature for me, but also the fact that she was a little bit off,” Zegler said.

The actress went on to discuss the challenges of working with practical sets, her turn as Snow White in Disney’s upcoming live-action remake, and being starstruck by “Hunger Games” costar Viola Davis.

[...]

How did working on this differ from your work on the upcoming “Snow White” film?

What I really love [that] they have in common is animals. I did jump from one to the other which was such a huge pivot but, spectacle wise, it is very similar. There’s not a lot I can say about the Snow White of it all but as I’m sure people can imagine there’s a lot of practical sets on both, and they’re built so beautifully by both amazing teams. It was just the actual juxtaposition of the type of thing you’re doing, where you go from Disney princess and everything is beautiful and then I have to kill children [on “Hunger Games”]. It’s such a dramatically ironic moment for me, looking into the metaphorical camera filming me in the office being like, “Well, that’s the job!”

Snow White and Lucy Gray also have such distinct voices. Was the accent a problem here?

There was one sound in particular that I still make to this day because I struggled so much with it in my training. There’s a line where Coriolanus is asking Lucy Gray what happened to Jessop’s neck? And she says that it’s a bat bite, like a bat bit him on on the neck. With the accent it’s “bat bot.” I struggled with the long “I” sound in “bit” and I still say it every now and then. I’ll just be talking to Josh and I’ll be saying something like “No, that’s miiine.” And he’s like “Oh is that miine?” He makes fun of me all the time.

[...]

[veu]

Segnaliamo che il 7 dicembre prossimo, per la serie Actors on Actors di Variety, Rachel Zegler si confronterà con Halle Bailey!

Quindi il duo delle Principesse parleranno assieme... pronti per il confronto tra Biancaneve e Ariel?

Hanno già registrato la puntata...

Ecco qua l'immagine:

[veu]

Rumor (attenzione!):

Da Twitter:

wandas @wanda_all_along:

anything new on live action snow white?

Skyler Shuler @SkylerShuler:

I don’t think we will hear anything new on this til next year, tbh.



Notizia (dalla pagina ufficiale Twitter di Rachel Zegler)... Rachel ha cantato live durante le riprese del film:

regina @zeglerlove:

did you sing live in Snow White at all?


rachel zegler (she/her/hers) @rachelzegler:

yes

[veu]

Rachel Zegler (Biancaneve) e Halle Bailey (Ariel) una di fronte all'altra per Actors on Actors di Variety.

Dal sito Variety:

Halle Bailey and Rachel Zegler on Becoming Disney Princesses, Singing Live on Set and Blocking Out Toxic Fans: ‘Stay Grateful and Ignore the Hate’

Shortly after Halle Bailey and Rachel Zegler were crowned real-life Disney princesses, they met for the first time at a ball — the 2021 Met Gala, to be exact. It was the beginning not only of a beautiful friendship, but of a new era for Disney. Bailey became the first Black Ariel in Rob Marshall’s live-action adaptation of “The Little Mermaid,” based on Disney’s beloved 1989 animated film. Zegler — who used to dress up as Snow White as a little girl — will embody a Latina fairy-tale heroine who befriends seven CGI-created dwarves in 2025’s “Snow White.”

The singer-actors are also showcasing their golden voices in literary adaptations: Bailey, as young Nettie in “The Color Purple”; Zegler, as Lucy Gray Baird in the “Hunger Games” prequel “The Ballad of Songbirds & Snakes.” Here, Bailey, 23, and Zegler, 22, reflect on their princess experiences and strategies for silencing the social media haters.

HALLE BAILEY: This is a whole new world! “Mermaid” was really my first big film, and it was interesting, because going into something that means so much to so many people for my first project was very overwhelming — but overwhelmingly beautiful. When I wrapped, I felt such freedom and I was so proud of myself. I stumbled a bit along the way, but in the end, I came out way stronger.

Ariel taught me a lot about myself. So coming out of that energy into “Color Purple” was so beautiful for me, because I felt more comfortable in my skin. Then to get to be on an all-Black set, where you feel like you’re at a family reunion every day, was the best thing ever. And it was a much smaller role, so it was so much easier to be really chilling on set all the time, watching my heroes, like Fantasia and Taraji P. Henson. Just looking and being like, “How the hell am I here?”


La Petite Sirène [Disney - 2023] - Page 39 Gashna10


RACHEL ZEGLER: All of us have impostor syndrome. Do you feel that?

BAILEY: All the time. I’m like, “I don’t know how this is happening.” I know you must feel the same because you’re a fellow Disney princess girl, Ms. Snow White! I’m so excited to see that — I’m counting down the days. And I saw “Hunger Games” — woo! When I was younger, I was a “Twilight” girl and a “Hunger Games” girl, and then when I heard it was you, I’m like, “Oh, my God. She’s going to freaking murder it!” And you did. I was in tears every time you opened your mouth to sing, literally.

But that’s such a massive film. It has such history, where people care so much about the franchise and get so sensitive over every little thing. How are you able to navigate going into a film like that coming off “Snow White”?

ZEGLER: I feel like I mourned the wrap of “Snow White” while I was in the middle of getting my bearings on the “Hunger Games” set. There’s a massive pressure that you place on yourself when you’re stepping into shoes like that; the fan base is so huge, so dedicated. I’m one of them, so I know how I would feel if I were watching a reboot of a franchise I adore. You just want to do right by them. But Suzanne Collins, who wrote them, she’s doing right by them because she created the universe.

I read the book when it came out in 2020, and I was in love with the character of Lucy Gray. The fact that Francis [Lawrence, director of “The Ballad of Songbirds & Snakes”] came to me and was like, “I really want you to do this,” it’s the biggest honor of my career thus far. I can say that confidently. I can’t believe that I get to be a part of that franchise. And thank you with vocals. It is a huge honor because you cannot do any wrong vocally. You open your mouth, and the heavens just go, “Yes!” So it means a lot to me.

I’m in disbelief that you’ve got two musicals this year.

BAILEY: You too! Honestly, I feel most comfortable when I’m able to sing. I’m sure you feel similar.

La Petite Sirène [Disney - 2023] - Page 39 Rachel10

ZEGLER: I was really nervous when I signed on, because I really wanted the fans to be able to subscribe to the fact that music fit into the plot somewhere. Coming from the world of musical theater, there’s a lot of difficulty in trying to sell that to an audience. There’s a lot of people that don’t want to sit down and watch two and a half hours of singing sometimes, and you want to make sure that it feels as organic as possible for songs to fit into a plot like “The Hunger Games.” It doesn’t sound right when you say it out loud. Francis Lawrence and Suzanne Collins had a very clear vision for what they wanted it all to sound like, and then we worked with the country music producer Dave Cobb. I sang live on set, which was crazy. Everybody keeps asking me why I did that. You get it. There’s nothing like it. You can’t really capture that sound and that feeling any other way. That makes it tricky when you step onto sets like “Little Mermaid” or “Snow White,” where it’s all soundstage, so live vocal doesn’t always really exist in that world.

You spent 13 hours a day in a pool. That’s really, really intense on your body. But then you’re in the middle of a musical shoot where you need to be keeping up your voice.

BAILEY: There were a lot of things that combined to my body feeling tired a lot of the time, based on the stunt work. Being in the water, I felt the lightest because you’re buoyant. That felt a little easier. As singers, we’re trained to take care of our vocal cords, so sometimes the chlorine — and then you’re sinusy the next day, and then you have to sing.

I love what you mentioned about singing live on set, because that was something that I really wanted to do on “Mermaid.” I’m able to evoke emotion more in a live take in comparison to a recorded version, so that was something that I was having to navigate. There was one instance — where I’m waiting for the prince, singing “For the First Time” — when I was able to sing live, which I was really grateful for. Because it’s hard when you’re trying to mouth that emotion to a recording.

ZEGLER: You, without the pun intended, blew everybody out of the water. It’s an amazing feat, and I’m so impressed. I truly think that any naysayer out there — because there are always people who have something to say …

BAILEY: Yeah, always.

ZEGLER: You proved them wrong with grace. I was so inspired by the way you handled anybody who had anything bad to say about it. Did you ever let it affect you at all? You definitely didn’t publicly.

BAILEY: Of course, yeah. I mean, we’re sensitive. We’re human beings. I get my feelings hurt if my cat doesn’t want to sit next to me.

ZEGLER: I’m the same way.

BAILEY: That’s what people don’t realize: We’re granted amazing opportunities and able to be seen on massive screens, but there is a dissociation. People start taking you away from being a real human being that has feelings and reacts to things. That was definitely something that I had to navigate. But it turned out to be the most beautiful lesson — to block any naysayers or negativity out. Also, I’m an Aries, so I’m a fire sign. People are like, “Oh, she’s so sweet. She’s so nice.” But a lot of times when I see stuff online, I get mad.

ZEGLER: Of course.

La Petite Sirène [Disney - 2023] - Page 39 Halle-33

BAILEY: I want to respond, but I’ll just be like, “No, it’s OK.” The way you’re so graceful and respond, it’s just the most beautiful thing to see. Because it’s hard being women under the spotlight. People are so critical and say anything that they would never say to your face.

ZEGLER: Choosing thankfulness and gratefulness is choosing peace. As much as you’d like to remind people verbally that being in the spotlight doesn’t absolve you of your humanity — that you’re allowed to have human moments — it doesn’t necessarily do what you want it to do. It fuels them more.

BAILEY: Yes, exactly.

ZEGLER: So it’s choosing to be present and know that they’re probably just having a really hard day. And I’m putting out a movie.

BAILEY: Amen.

ZEGLER: I feel so thankful for those moments because it started to make me feel like solid Teflon. That nothing can hurt anymore because they’ve said the worst that can be said. You just say, “Thank you so much for this. I have a lot of love in my life, and I’m very thankful.” We get to do our work and have that speak for itself instead.

BAILEY: I love the saying, “You throw stones, and I’ll build a bridge out of them.”

ZEGLER: It’s true though. Because we’re making things that make people connect with one another. And there are people out there who say things that make people want to not come together, that make people want to fight. And it’s just not worth the time and energy.

BAILEY: Stay grateful and ignore the hate.

ZEGLER: It was such a moment on social media when the “Little Mermaid” trailer came out and all these young children — young Black children, in particular — posted videos reacting and being so happy.

BAILEY: It truly was astonishing. I was sobbing anytime I saw a video of them react and say, “She looks like me!” I didn’t know what to do with myself at first. I would be in tears and so grateful to see them be happy about it. These babies were armor for me to put on whenever I felt I was getting consumed with other chatter about my casting.

ZEGLER: Exactly.

BAILEY: Same for you, being an amazing Latina woman as Snow White. You are opening so many doors for your whole community as well. What has that felt like? Is it pressure?

ZEGLER: The cartoon is so beloved. It was the first feature-length cartoon movie. It won honorary Oscars. And all these amazing things that happened for that film are the reason that you and I get to sit here today, because it made Disney what it is. Obviously, that’s come with a lot of pressure that I’ve put on myself. Much like “Hunger Games,” there’s a very dedicated group of people who love Disney cartoons. I’m one of them. I love everything that the Disney Co. has put out in the past 100 years.

So how do you put little baby Rachel at ease with what you’re doing in your career? How is it that you come to this role and make little Rachel proud? That was really what I used to fuel my emotion on that set. Because all the pictures are out there of little me in my Snow White gown.

BAILEY: I swear it’s going to make me cry.

ZEGLER: Stop, because you’ll make me cry.

BAILEY: But it was the sweetest picture. You are so sweet and little and filled with so much joy and the biggest smile on your face. That little girl is still in you, and she’s so proud of you.

ZEGLER: Talk about counting your blessings and thanking whatever it is that brought me here. Obviously for my community, it’s a huge moment. And I hope that it’s not one of those moments that we hear about in the news where it’s like, “Oh, the first in X amount of years.” I don’t want it to be one of those, where 25 years later it’s the next Latina playing a Disney princess.

BAILEY: Exactly.

ZEGLER: I want it to be this revolving door and not just “I opened one door, and one person walked through.” I’m sure you feel the same way — you just want to do right by your community.

This interview has been edited and condensed. Variety Actors on Actors is presented by “Air.”



Video:

Click

[veu]

E sempre da Variety:

Rachel Zegler Says Acting With CGI Characters on ‘Snow White’ Set Was ‘Really Intense’ and ‘So Much Fun’: You’re ‘Singing to Nothing’

Rachel Zegler opened up for the first time during a discussion for Variety’s “Actors on Actors,” presented by “Air,” about what it was like working with CGI characters on the set of Disney’s upcoming live-action “Snow White” movie. Zegler is starring as the iconic Disney princess in the film opposite Gal Gadot as the Evil Queen. “500 Days of Summer” and “The Amazing Spider-Man” filmmaker Marc Webb directed the movie.

Back in October, Disney released a first-look image from the movie that featured Zegler as Snow White surrounded by the seven dwarves. The image confirmed that CGI was being used to bring the dwarves to life and not human actors, which led to a lot of divisive reactions on social media from Disney fans.

Zegler hasn’t weighed in on the public’s response to her film’s CGI dwarves, but she did tell fellow Disney princess Halle Bailey (“The Little Mermaid”) during an “Actors on Actors” discussion that working with so much CGI on the film made her “nervous” at first. Bailey could understand, as she also acted opposite many CGI co-stars in “The Little Mermaid.”

“This is an iconic thing that people really care about,” Zegler said of taking on the Snow White role. “I don’t want to mess this up for anybody, including myself. The writers and Marc Webb and our entire producing team…it’s a bit different story wise. We were able to do ‘Whistle While You Work,’ which made me really happy and excited. I was really nervous more about the technical element. That first-look image went out… and there’s a lot of CGI in the film.”

Because of the CGI element, Zegler said that she spent most of her day singing alone on set while filming the “Whistle While You Work” set piece. In the 1937 animated film, Snow White sings “Whistle While You Work” while she cleans up her home alongside a bunch of helpful animals and woodland creatures. These animals are likely CGI in the film just like the dwarves.

“Most of that day was spent singing to nothing,” Zegler said. “I’m sure you also know how that can be. There was a lot of puppetry and CGI in post. It was really intense. There’s a lot of bloopers of me tossing a broom and letting it fall to the ground because that’s apparently how you toss things off to CGI characters. But it’s so much fun!”

Variety previously asked Zegler at the London premiere of “The Hunger Games: The Ballad of Songbirds and Snakes” about the public’s response to the CGI dwarves in “Snow White,” to which she replied: “I’m just really excited to get to share that movie with everyone in March 2025. We’ve got a lot of magic up our sleeve.”

Read more from Zegler and Bailey’s “Actors on Actors” conversation here. Disney’s live-action “Snow White” film opens in theaters March 21, 2025.




Qui dalle Storie di Skyler Shuler su Instagram:

[veu]

News:

* Greta Gerwig ha parlato per la prima volta del suo lavoro su Biancaneve:

[veu]

Da Twitter - X:

Snow White News @SnowWhiteNews:

Via the 'Blank Check with Griffin & David' podcast!

Rachel Zegler reveals that she had to bite 75 apples on the set of Snow White!:

"Your jaw is like what are you doing also you become very self aware of what you look like when you're biting an apple"

[veu]

Questa la mettiamo (anche se noi l'avevamo annunciato nel 2022 che Emilia Faucher era Biancaneve da bambina... su questo film pensiamo di saperne più noi che gran parte della gente sul web):

Da The Disinsider:

Emilia Faucher to Play Young Snow White in The Rachel Zegler-led Remake

It’s been a while since we provided an update on Disney’s live-action adaptation of Snow White. Today, that changes.

A little over a year ago, we reported that Disney was going to add new elements to the remake with flashback scenes featuring a young Snow White. Now, we can confirm CODA star, Emilia Faucher will play the role.

Directed by Marc Webb, the film will expand upon the 1937 film’s story and music and will feature new songs by songwriters Benj Pasek and Justin Paul (La La Land and The Greatest Showman). An interesting addition is Gal Gadot’s Evil Queen will sing and dance, a departure from the 1937 animated classic. Another new addition is the appearance of a younger Snow White, meaning we will get some flashback sequences or an origin for the character. Also set to star is Andrew Burnap, who is playing the new character Jonathan, and Martin Klebba, who has been in all the Pirates of the Caribbean movies, plays Grumpy.

Snow White is set to hit theaters on March 21, 2025.