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> Tiana - Serie TV tratta da "La Principessa e il Ranocchio", Disney+
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messaggio 5/10/2023, 22:50
Messaggio #73


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Una marca di shampoo brasiliana, la Seda, mostra una nuova animazione di Tiana con i capelli sciolti e ricci... guardate che bella!

chissà se che nella serie non possa anche essere così talvolta.

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Video con l'animazione:

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messaggio 6/10/2023, 15:05
Messaggio #74


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La trovo davvero bella,anche in generale come idea.
All'inizio pensavo fosse una specie di teaser della serie e sinceramente ero un po' inorridito dall'animazione che non è a livello,per fortuna invece è solo uno spot.
Della serie sono super curioso di vedere il regno di Maldonia e dei nuovi look per tiana
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messaggio 9/10/2023, 23:04
Messaggio #75


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Da Variety:

‘Tiana’ Disney+ Animated Series Sets Joyce Sherri as Lead Writer, Director (EXCLUSIVE)

The “Tiana” animated series in the works at Disney+ has enlisted Joyce Sherri as the show’s lead writer and director, Variety has learned exclusively.

The musical project was originally announced in 2020 during a Disney investor day. The series has previously been described as a followup to the 2009 animated film “The Princess and the Frog,” which introduced the character of Tiana. Anika Noni Rose will once again provide the voice of Tiana. The series was originally expected to debut in 2023 but is now said to be launching in 2024.

Sherri’s most recent TV writing credit was on the Netflix horror miniseries “Midnight Mass” from Mike Flanagan. She has also written and directed short films like “Beauty,” “Forever,” “Down, Down, Baby” and “The Family Romance.” She also won the 2020 Slamdance screenplay competition for her feature, “Sweet Sixteen,” and was selected for the 2021 Sundance Institute Screenwriters Intensive.

She is repped by Gersh, Untitled, and Del Shaw Moonves.

The official description for “Tiana” states that the show will follow the title character as she “sets off for a grand new adventure as the newly crowned Princess of Maldonia, but a calling to her New Orleans past isn’t far behind.”

Walt Disney Animation Studios will produce “Tiana,” as the studio previously made “The Princess and the Frog.” Nathan Curtis will produce, with Jennifer Lee and Stella Meghie executive producing. Meghie was previously attached as the writer and director of the series, but remains onboard as an EP.

Disney also previously announced Disney+ series followups to films like “Zootopia,” “Big Hero 6,” “Moana,” and “Cars.” At the time of this publishing, all of those have been released with the exception of “Moana,” though a live-action version of that film is currently in the works.




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messaggio 10/10/2023, 20:45
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News - Rumor:

Nella sezione Domande e Risposte del suo programma online, Grace Randolph riporta di aver sentito che Variety ha annunciato che la serie Tiana uscirà su Disney+ nel 2024, mentre lei continua a sostenere di aver sentito che uscirà nel 2025.
Inoltre, in risposta ad un'altra domanda, la Randolph afferma che la serie Tiana sarà animata in maniera tradizionale (2D).

Ecco il video in cui parla:

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messaggio 11/10/2023, 22:49
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Da Instagram la regista pare confermare che la serie è in 2D e uscirà a fine 2024:

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messaggio 21/2/2024, 19:43
Messaggio #78


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Si torna a parlare della serie più attesa, Tiana...

Ecco un'intervista di sei giorni fa a Joyce Sherri, sceneggiatrice e regista della serie tv:

Dal sito NYU:

Get to Know Joyce Sherrí (TSOA ’16): Lead Writer and Director for Disney+’s Animated Series Tiana

Meet Joyce Sherrí (TSOA ’16) [she/her]—the lead writer and director for the new animated Disney+ series Tiana, based off of the much beloved 2009 movie The Princess and the Frog.

“While at NYU I had the opportunity to be a writer, director, producer, assistant director, craft service, location sound mixer, editor, cinematographer, the list goes on. Being in these various roles taught me invaluable lessons about filmmaking, collaborating with others, and what you should and should not do as a leader,” says Joyce Sherrí (TSOA ’16) [she/her] when we asked about her time at Tisch’s graduate film program at NYU.

Joyce has taken this series of lessons with her throughout her post-NYU career, as she’s worn various hats within film production, from the writer’s room to the director’s chair. A couple of her latest projects include two Netflix Originals, Midnight Mass, her first writer’s room gig, and The Magic Order, for which Sherrí was a story editor.

We caught up with Joyce to talk about what she’s been up to since graduating from NYU’s graduate film program in 2016 and how she ended up in the much coveted role of lead writer and director for the upcoming animated Disney+ series Tiana.

Congratulations on being named lead writer and director of the Disney+ animated series Tiana! What was it like learning you got this role?

Thank you so much! Like many, I grew up on Disney, so to have the opportunity to add my own creative voice to that legacy is truly a blessing. Leading my own series as writer and director at Disney Animation for Tiana is an exciting new chapter of my journey that I can’t wait to share with the world. It is an absolute dream come true.


What has your journey been like as a writer for TV so far and what led you to this point?

My career has been both challenging and rewarding. I’ve discovered so much about myself as a writer and director over the years. Each lesson has contributed to nurturing my voice as an artist.

Your latest TV writing credit was for the Netflix Original Midnight Mass. What was that experience like and do you have a preference for writing within specific genres, like horror?

I always say I’m somewhere between Clueless and The Godfather with the things that I like and because of that I think I can have fun in just about any room. I wrote on Midnight Mass in 2019. It was my first writers room and I value the insights I gained from collaborating with so many unique and talented writers.

How did your time at NYU help prepare you for a career in the TV and film industry?

Independent filmmaking has its own unique set of challenges but it can also be very rewarding. The grad film program taught me how to make creative decisions on the fly, which fine tuned my creative muscles as a filmmaker. I learned how important it is to know exactly what you want as the visionary of a project and how to invite the talent of your collaborators into that process to achieve that vision.

Do you have any other upcoming projects and/or what are some dream projects you’d love to work on one day?

Right now, I’m fully immersed in my dream project and pouring all my energy into making it the best it can be. Future me would love to explore more opportunities in fantasy, romance, and horror, and maybe even all three at the same time.

What is some advice you have for NYU alumni who are trying to find their place within the TV and film writing world?

I won’t pretend that working in this industry is easy. Sometimes being a creative can feel like a slow burn because you’re essentially freelancing for life. But, if your passion is to be a storyteller in this particular medium you’re going to have to be persistent. I would also say don’t compare your journey to anyone else’s. There are so many paths to take in this industry. The true challenge, besides fighting the internal battle on whether or not to give up, is finding the path that works for you. Years ago, I was working on a documentary and a classmate of mine described the documentary process as like putting together a jigsaw puzzle without the full picture as a frame of reference. I think the same could be said about what it’s like trying to find your place as a filmmaker or even as an artist in general.

Just remember, Writers write. Directors direct. Unfortunately working really hard on something doesn’t mean it will immediately find its audience. Perhaps it is not the right time. Or perhaps it needs a few more drafts or you need to make another short film or a feature. The point is nothing that you create is a waste of time. So keep creating. There’s always something new to learn about yourself and your creative voice in the process. Now, whether it takes off in one year or ten, is what remains to be seen.

You have to build your creative portfolio. Then you take it out to festivals, fellowships, industry connections etc. If it doesn’t take you as far as you wanted, then you set that volume of your portfolio aside and start working on volume 2 or 3 or 20. Keep building until you find whatever your definition of success is. You should network, find your community of writers and filmmakers, and remain open to creating something new and evolving your craft.

What is a word or short phrase you would use to describe your experience at NYU?

Rigorous yet enriching.


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