Crudelia 2, Walt Disney Pictures Opzioni

[Daydreamer]

Ma certo tesoro!

Da The Hollywood Reporter

‘Cruella’ Sequel in the Works at Disney (Exclusive)

Director Craig Gillespie and screenwriter Tony McNamara are expected to return.

Dalmatians are proving to be Disney’s new best friends.

As Cruella heads into its second weekend, The Hollywood Reporter has learned the studio behind the Emma Stone-starrer is in early development on a sequel. Cruella director Craig Gillespie and screenwriter Tony McNamara are expected to return for a sequel to the film that stars Stone as fan-favorite One Hundred and One Dalmatians villainess Cruella de Vil.

Cruella debuted May 28 simultaneously in theaters and on Disney+ under the streaming service’s Premier Access tier, making it available to purchase for $30. The film has earned $48.5 million globally. It received positive reviews and has been praised for its 1970s punk rock aesthetic.

“We are very pleased with Cruella’s box office success, in conjunction with its strong Disney+ Premier Access performance to date,” a Disney spokesperson said in a statement. “The film has been incredibly well received by audiences around the world, with a 97% Audience Score on Rotten Tomatoes in addition to A’s in every demographic from CinemaScore on opening weekend, ranking it among the most popular of our live-action reimaginings. We look forward to a long run as audiences continue to enjoy this fantastic film.”

Disney has found success mining its library of beloved animated features for live-action, starting with Alice in Wonderland (2010) and including Angelina Jolie’s Maleficent (2014), Cinderella (2015) and $1 billion grossers that include Beauty and the Beast (2017), Aladdin (2019) and The Lion King (2019). The studio isn’t done with its successful decade-plus strategy yet as it has live-action reimaginings Pinocchio, Peter Pan & Wendy and The Little Mermaid in the works.

[theprinceisonfir...]

Se riescono a mantenere la qualità del primo film, allora io dico assolutamente Sì!

[Daydreamer]

Ribadisco, come ho scritto nel topic del primo film, che questo sequel per me sarà nuovamente un prequel de "La Carica dei 101", dove probabilmente Anita e Roger (Rudy) non ci saranno, oppure accadrà poco dopo gli eventi del primo film, con magari un'avventura di Cruella a se stante, con personaggi del tutto nuovi. Io spero proprio in quest'ultimo caso. Non credo si balzerà agli anni '80 ma è pur vero che il gioco della moda offerto dal primo film è uno dei primi motivi di successo e proporre una nuova moda potrebbe rinverdire la curiosità per il film.

[Under the sea]

Non lo so a me questi sequel live action non mi convincono proprio,o meglio non mi entusiasmano.
Anche se poi nell'effettivo Maleficent 2 mi è piaciuto tanto quindi vedremo.
L'unica cosa è che penso a questo punto che cruella non diventerà mai la Crudelia del classico,o meglio non ci lasciano spazio all'immaginazione.
Anche se poi in realtà sti sequel tratti dai live action non sono mai andati chissà quanto bene,basti pensare ad Alice o Maleficent oppure non Disney il cacciatore e la regina di ghiaccio.

[Daydreamer]

Anche Maleficent di Angelina Jolie non c'entra nulla col classico. E' puro "what if", una reinvenzione. Il Classico è vivo e vegeto, anzi ne beneficia in rilancio e pubblicità per le nuove generazioni che andranno a ripescarlo. Mi sembra una situazione win-win, nessuno ci perde alla fine.
Sicuramente un'operazione meno ruffiana dei live action di Classici paro-paro, con cui necessariamente vengono messi in competizione e a confronto (per quanto creda che, anche in questo caso il Classico di origine, venga rilanciato comunque).

[Under the sea]

Ma infatti era più un capriccio mio che una critica vera e propria.
Mi piaceva immaginare che questo fosse un vero prequel del classico,anche se ha un po' di incongruenze.

[veu]

Non lo so a me questi sequel live action non mi convincono proprio,o meglio non mi entusiasmano.
Anche se poi nell'effettivo Maleficent 2 mi è piaciuto tanto quindi vedremo.
L'unica cosa è che penso a questo punto che cruella non diventerà mai la Crudelia del classico,o meglio non ci lasciano spazio all'immaginazione.
Anche se poi in realtà sti sequel tratti dai live action non sono mai andati chissà quanto bene,basti pensare ad Alice o Maleficent oppure non Disney il cacciatore e la regina di ghiaccio.

Alice 2 non ha funzionato granché perché è stata pochissimo al cinema...
Maleficent 2 invece ha funzionato (decisamente più di Mary Poppins Il ritorno) anche perché aveva una storia molto accattivante
Il Cacciatore e la Regina di Ghiaccio è stato un floppone assurdo perché hanno tolto Biancaneve, la protagonista principale della saga e hanno pensato che bastasse Thor per far successo... è stato un film senza senso, stupido e ridicolo, di cui persino Hemsworth, la Chastain e la Theron si vergognano di averlo fatto (e a ragione)... e tutti hanno detto che il grande difetto è stata l'eliminazione di Biancaneve... tra l'altro eliminata per bigottismo nei confronti dell'attrice Kristen Stewart, messa al bando e denigrata da tutti, anche se non è certo l'unica che ha aperto le gambe con i registi a Hollywood...

[veu]

News:

* Emma Stone ha ufficialmente firmato il contratto per Crudelia 2.


Dal sito DeadLine:

Emma Stone Locks Down Deal For ‘Cruella’ Sequel

EXCLUSIVE: Oscar winner Emma Stone has closed a deal to star in the sequel to Cruella, in what is a very good sign for Disney as it secures talent in the wake of some criticism of its theatrical-Disney+ Premier model.

Cruella, due to the pandemic, was released in theaters and on Disney+ PVOD tier on May 26, earning more than $222 million in worldwide ticket sales. The release of Cruella 2 is a ways off, and it’s not certain at this time whether the movie will be a pure theatrical release or like its predecessor released simultaneously in homes.

Emma Stone’s deal for Cruella 2, I hear, mutually benefits both sides especially at a time when Disney is still assessing the dynamic window model on its event titles.

Endeavor executive chairman Patrick Whitesell had this to say about the agency’s client Stone and her Cruella 2 deal.

“While the media landscape has been disrupted in a meaningful way for all distributors, their creative partners cannot be left on the sidelines to carry a disproportionate amount of the downside without the potential for upside. This agreement demonstrates that there can be an equitable path forward that protects artists and aligns studios’ interests with talent. We are proud to work alongside Emma and Disney, and appreciate the studio’s willingness to recognize her contributions as a creative partner. We are hopeful that this will open the door for more members of the creative community to participate in the success of new platforms.”

There was a lot of hasty speculation in the news following Black Widow star Scarlett Johansson’s lawsuit against Disney that other stars from the studio’s theatrical-day-and-date titles would also pursue legal action surrounding the studio’s window experimentation. To date, that hasn’t happened. Another big movie star who is content with Disney in the wake of its pandemic dynamic window model is Jungle Cruise‘s Dwayne Johnson, who has been relentlessly promoting that film to his 332M+ social media fans. The film has so far grossed $73.1M domestic, $201M+ worldwide and well north of $50M in estimated Disney+ Premier global PVOD monies, good for a current estimated global haul of $251M+.

While Disney hasn’t released PVOD figures for Cruella, the standalone movie about the origins of the 101 Dalmatians villainess was clearly successful enough that the Burbank, CA lot is moving forward with a sequel. As previously announced, the pic’s original director Craig Gillespie and scribe Tony McNamara are returning. In regards to Cruella‘s U.S. PVOD revenues, all we know is what Samba TV reported from U.S. Smart terrestrial TVs: that the figure was close to $21M over the four-day Memorial Day weekend.

Cruella was praised by critics at 74% fresh on Rotten Tomatoes, who also cited future awards-season buzz for the pic. The movie also earned an ‘A’ CinemaScore from audiences.

Stone is repped by WME, Anonymous Content, and Ziffren Brittenham.





E The Hollywood Reporter indica che il regista Craig Gillespie e lo sceneggiatore Tony McNamara torneranno per il sequel:


Emma Stone Closes Deal for ‘Cruella 2’ In Wake of ‘Black Widow’ Lawsuit

To date, the film has earned $85 million at the domestic box office and $221 million at the global.

Emma Stone has closed a deal to star in the sequel to Disney+ release Cruella. The move is significant being that it comes amid the turmoil caused by Scarlett Johansson’s lawsuit against Disney over her compensation for Black Widow, which like Cruella, debuted day-and-date in theaters and on Disney+.

Johansson’s lawsuit alleges that her contract was breached when the Marvel movie was released on Disney+ day-and-date. After its filing, Disney retorted with a strong statement, calling the lawsuit “especially sad and distressing in its callous disregard for the horrific and prolonged global effects of the COVID-19 pandemic.”

Following this, major Hollywood figures and organizations weighed in, including CAA’s Bryan Lourd (“[Disney] have shamelessly and falsely accused Ms. Johansson of being insensitive to the global COVID pandemic”) and SAG-AFTRA President Gabrielle Carteris (“Disney should be ashamed of themselves for resorting to tired tactics of gender-shaming and bullying.) Women In Film, ReFrame and Time’s Up also offered a joint statement, while industry insiders questioned if other lawsuits would follow.

During Disney’s quarterly earnings report CEO Bob Chapek addressed the studio’s relationship with talent, saying to analysts, “I will say that since COVID has begun, we’ve entered into hundreds of talent arrangements with our talent. And by and large, they’ve gone very, very smoothly. So we expect that that would be the case going forward.”

“While the media landscape has been disrupted in a meaningful way for all distributors, their creative partners cannot be left on the sidelines to carry a disproportionate amount of the downside without the potential for upside,” said Patrick Whitesell, Executive Chairman of Endeavor of WME client Stone’s deal. “This agreement demonstrates that there can be an equitable path forward that protects artists and aligns studios’ interests with talent.

The exec added: “We are hopeful that this will open the door for more members of the creative community to participate in the success of new platforms.”

For the Cruella sequel, director Craig Gillespie and writer Tony McNamara are returning. The 2021 feature acted as an ’80s punk-inspired origin story for the famed Disney villain from 101 Dalmatians.

Cruella debuted May 28 simultaneously in theaters and on Disney+ under the streaming service’s Premier Access tier, making it available to purchase for $30. To date, the film has earned $85 million at the domestic box office and $221 million at the global.

[veu]

Dalle Stories di Instagram di Skyler Shuler:

[veu]

Dal sito Forbes:

What Emma Stone In ‘Cruella 2’ Offers To Walt Disney

There had been rumblings in the wake of Scarlett Johansson’s lawsuit against Disney that Emma Stone might be considering similar options. Both leading ladies had big summer flicks which had promised them box office-specific bonuses, potential paydays that were lessened when Disney made the call to release Cruella (over Memorial Day weekend) and Black Widow (on July 9) in theaters and on Disney+’s “Premier Access.” We’ve heard no official word on the Johansson-specific litigation, and I’m guessing (like around 90% of all civil suits) it will settle well before trial. But I think it’s safe to say that Stone’s representatives and Walt Disney have come to a brokered peace. We just got word that Emma Stone has signed for Cruella 2 (or whatever it’ll end up being called), and I’m guessing she didn’t come cheap.

Cruella grossed $85 million domestic from a $26.5 million Memorial Day Fri-Mon debut, making it among the leggiest “big” Memorial Day openers ever. It also earned $222 million worldwide. Considering the deeply mixed record of Disney’s live-action reimaginings, it’s possible that $225 million was pretty close to “business as usual.” Yes, the Katzenberg-era remakes were ginormous hits ($1.053 billion for Aladdin, $1.263 billion for Beauty and the Beast and $1.67 billion for The Lion King), but we’ve always seen the likes of Dumbo ($350 million on a $150 million budget), Mary Poppins Returns ($350 million/$130 million), The Nutcracker and the Four Realms ($174 million/$133 million) and Christopher Robin ($197 million/$70 million). Considering the sheer popularity of 101 Dalmatians (over $1 billion in inflation-adjusted domestic earnings), I’m inclined to argue for a $350 million-plus finish.

However, and this is key, the Craig Gillespie-directed comedy, one focused on costumes, production design and “fabulous” characters engaged in high fashion and high crimes amid 1970’s-London, only cost around $100 million. So, when you factor $225 million worldwide plus whatever it made on SVOD (first on Disney+ and then on other platforms), I’m guessing it’ll either break even over the long run or has already done so. This isn’t a $150 million-$200 million flick like The Suicide Squad, Jungle Cruise or Space Jam: A New Legacy which arguably all cost way too much even for non-Covid times. As I’ve noted a few times, we may start seeing some coin-toss sequels getting greenlit for the image of presumed success. That Disney always avoided another lawsuit with one of its high-profile stars is arguably a bonus.

Since reviews were generally positive and the word-of-mouth (including an A from Cinemascore) was relatively strong, I’m not worried about any “Tomb Raider Trap”-type situations here. The big concern, assuming this movie even gets made (I’d speculate that Stone got a “pay or play” deal) or even if it gets made and doesn’t end up on Disney+, is whether it’s a “folks were only curious the first time” situation. However, if the core appeal of Cruella was less about “Hey, it’s a prequel/reimagining of that 101 Dalmatians villain!” and more “Hey, it’s Emma Stone being spectacular while playing Cruella de Vil,” then A) Stone is worth whatever she got and folks might show up again.

Alice Through the Looking Glass ($299 million in 2016 versus $1.025 billion in 2010 for Alice in Wonderland) and Maleficent: Mistress of Evil ($490 million in 2019 versus $759 million for Maleficent in 2014) underperformed partially due to a time gap. We can also blame the fact that what they represented (huge fantastical adventure films, anchored by female characters and/or major female movie stars no less) are far less rare than they were in 2010 and 2014. As such, in a skewed irony, the fact that Cruella was a pretty grounded and moderately-budgeted romp that wasn’t filled (obvious) special effects and world-changing action makes it more of a rarity in 2021 than something like Maleficent. That’s partially how Joker soared so high in 2019, by being a small, indie-minded character play for folks raised on mega-bucks action franchises.

Cruella, which slightly played like Nightcrawler for kids, has a similar “advantage,” one that may yet extend beyond the first movie. That doesn’t mean that Cruella 2 won’t A) cost too much in relation to its predecessor, end up being a “folks were only curious the first time” sequel and/or C) end up earning essentially the same as its predecessor even in a non-Covid environment. But, by virtue of its budget, its modest sensibilities, its “You don’t have to care about the IP to enjoy the film” mentality, it’s certainly in a safer spot than the previous aforementioned sequels. And if it makes for a public peace treaty between Disney and a major star who may or may not have been about to sue them, well, that’s just icing on the cake.

[veu]

Il regista Craig Gillespie parla del sequel del film e dice che vorrebbe il ritorno di Emma Thompson come Baronessa perché "sarebbe un peccato se non ci fosse" e tratterà il passaggio dalla zona grigia in cui è a seguito del primo film fino al lato oscuro, quando diventa la Crudelia DeMon che tutti conoscono, ciò che è interessante - dice il regista - è proprio vedere come il suo lato oscuro prende il sopravvento...

Dal sito Comic Book:

Cruella Director Teases Sequel, Says It Would Be a "Shame" If Emma Thompson Wasn't in It

Cruella is now available to own on 4K Ultra HD, Blu-ray, and DVD. In honor of its release, ComicBook.com recently had the chance to chat with the movie's director, Craig Gillespie. During the interview, Gillespie talked about why there's no commentary and revealed what he would have shared had there been one. After Cruella was released in theaters, it didn't take long for Disney to announce a sequel, which will see the return of Emma Stone in the titular role as well as Gillespie. ComicBook.com asked Gillespie about the upcoming sequel, what fans can expect, and whether or not it will feature the return of Emma Thompson as the Baroness.

"There's sort of conversations about what that will be. Where this world takes us now, and then I think they'll be diving into it. We're in that exploratory phase right now, but they've got a lot of ideas that are exciting," Gillespie teased. "Maybe a whole other movie," he added when we brought up Cruella's post-credit scene, which teased a set-up for 101 Dalmatians.

"What I loved about the end of Cruella is... I kept calling it the graduate moment. Which, Dustin Hoffman sits at the back of the bus, and then he's not sure if this is actually what he wanted. There's that sort of awkward hesitation. It's the same when she walks into Hellman's Hall. She's been striving and fighting for this throughout the whole film, and then she suddenly realizes the sacrifice. It's like she's lost Estella. She's less that part of herself. You know? Now she has this public persona that she has to sort of live up to. That conflict I felt was really interesting, and think by the time she gets to... In my mind, by the time she gets 101 Dalmatians, she's pretty much gone to the dark side. Right now, there's a gray area. How she gets to that dark side will be interesting."

"I can't answer this question," he replied when we asked if Thompson would be returning. "It would be a shame if she wasn't in it, wouldn't it?," he added.

We also asked Gillespie if there is any added pressure with making a sequel and what filmmaking lessons he learned from the first movie.

"Oddly, I think during the first one... I don't want to jinx it at all, but trying to crack the code on this balance and this tone and her performance. Which, Emma did an amazing job with, and really trying to figure out what the level of the humor is. Just the balance of that character, so that she's still really fun in Cruella, but she's got some humanity to her. I think that was difficult. Now we get to sort of just blow it up in a way, which I think is really exciting," he shared. "It's funny. I thought I was making my life easier by saying we'll do it in post, and then that ended up being a year of my life. 1,850 effect shots."

Cruella is now streaming on Disney+ and is available to buy on 4K Ultra HD, Blu-ray, and DVD. Cruella 2 does not yet have a release date.

[Under the sea]

Bho sinceramente dopo il primo film non penso proprio che Crudelia arriverà a diventare quella del classico.
Ovviamente se sarà così io sarò super felice,ma ho i miei dubbi

[Hiroe]

Ma è impossibile, regala anche i cani a Anita e Roger... Che roba!

[Daydreamer]

Non sarà mai quella del classico, i villain tutti di un pezzo (e stereotipati) sono storia vecchia alla Disney, troveranno sempre un modo per umanizzarli e giustificarli.

[veu]

Skyler Shuler di The Disinsider parla di Crudelia 2:

Click

Ne parla al minuto 41:33

[Daydreamer]

Skyler Shuler di The Disinsider parla di Crudelia 2:

Click

Ne parla al minuto 41:33

Potrebbe uscire tra due anni, 2023 o 2024.

[veu]

Grazie Alessio per le notizie che hai dato nei vari topic.

Dicono anche che Crudelia 2 sarà diverso da Alice 2 e Maleficent 2... il che è un peccato perché entrambi i film sono molto belli (Maleficent 2 è un vero gioiello!).

Secondo noi questo Crudelia 2 sarà molto stile il primo film... chissà come andranno ad ampliare la storia... forse metteranno di più i cani? sicuro è necessaria la presenza della Baronessa... o un altro personaggio come contraltare? (un po' come hanno fatto in Maleficent 2 con Michelle Pfeiffer e in Alice 2 con il Tempo)... se davvero usassero quella linea noi pensiamo che Lady Gaga ci potrebbe stare e molto...
e magari mettono il gatto persiano di Crudelia che è presente nel romanzo e non è mai stato inserito nei film...

[veu]

Dal sito The Disinsider:

A Wild ‘Cruella’ Sequel Rumor Surfaces

Disney is in development on a sequel to their 2021 101 Dalmatians prequel, Cruella. While Emma Stone is set to return as the iconic villain, a new rumor has surfaced hinting at a major casting appearance.

According to the popular gossip outlet DeuxMoi, they shared one of their ‘blind items’, which leaves out names and specifics for followers to work out. The post read, “This A+ singer who has a minor appearance in Cruella (very tiny, you probably haven’t even noticed) might have a larger part in the sequel… not sure if she’ll play a villain or the lead’s supporting character, but sources told me her name has been making quite a bit of noise.”

It should be noted that Deuxmoi takes and shares gossip and tips from users. The outlet isn’t always sharing accurate information but that is not to say they have not gotten anything right, such as their April blind item on Jude Law joining the Star Wars universe, which would end up being confirmed last week at Star Wars Celebration. The information they share is 50/50 in terms of accuracy. So take this information with a massive grain of salt.

Who could this A+ singer joining the Cruella sequel be?

While I can’t say I saw an actual cameo appearance in from any “A+ singer” in Cruella, what I will say is there appears to be a singer that makes a brief appearance in an easter egg style appearance. In a quick scene in Cruella, the Disney villain is staring at her bedroom wall and you can see a familiar face, Taylor Swift. While there is no confirmation from Disney that the easter egg appearance is Swift, the screen grab below appears to be the singer. Emma Stone and Taylor Swift are also good friends, meeting each other in 2008.



2021’s Cruella grossed over $222 million theatrically worldwide, and approximately $21 million on Premiere Access. The upcoming Cruella sequel, which will also bring back director Craig Gillespie and writer Tony McNamara, will be the sixth film in the 101 Dalmatians franchise, following the original animated film and its sequel, the two Glenn Close films, and Cruella.

In an interview with Rotten Tomatoes, Emma Stone and Emma Thompson discussed possible ideas for a sequel, which would feature a story akin to The Godfather: Part II and bring back Close an older version of the character. However, this was just speculation and we have yet to hear any official ideas for Cruella 2.

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Dal sito The Disinsider:

Paul Walter Hauser Talks ‘Cruella’ Sequel

Cruella was a suprise hit of 2021, going well with both critics and fans, and despite a dual release in theater on Disney+ with Premier Access, the studio is moving forward on a sequel.

While speaking with Simon Thompson of Forbes, Paul Walter Hauser, who played Horace, shared a little update on the upcoming sequel, which will also bring back director Craig Gillespie and star Emma Stone.

“I’m told we’re doing it next year. I don’t know when but I think Tony McNamara is writing the script right now. He’s probably tinkering away with that. We got to work around the ever-busy schedule of Craig Gillespie and Emma Stone, who are worth the wait, so anytime they want to do it, I’ll be there.”

2021’s Cruella grossed over $222 million theatrically worldwide, and approximately $21 million on Premiere Access. The upcoming Cruella sequel, which will also bring back director Craig Gillespie and writer Tony McNamara, will be the sixth film in the 101 Dalmatians franchise, following the original animated film and its sequel, the two Glenn Close films, and Cruella.

In an interview with Rotten Tomatoes, Emma Stone and Emma Thompson discussed possible ideas for a sequel, which would feature a story akin to The Godfather: Part II and bring back Close an older version of the character. However, this was just speculation and we have yet to hear any official ideas for Cruella 2. There also wild rumors that superstar Taylor Swift could have a role in the sequel.

[Hiroe]

Potrebbero esserci la grande Close e ... Taylor Swift? A fare che? Mah!O.o ma taylor Swift recita? Scusate sono un'incompetente del settore!

[veu]

Dal sito The Disinsider:

10 Projects We Expect Disney Will Announce at The D23 Expo

We are less than two months away from the biggest Disney fan event in the world, the D23 Expo. The three day event, which takes place September 9-11, will be the place to be for announcements, news, never-before-seen footage, and first looks from Disney’s movie, tv, and streaming studios.

We have decided to take a look at 10 projects we believe Disney will announce during the highly-anticipated event (this includes theatrical or streaming projects).

[...]

7. Cruella 2

Just like all the movies we are discussing, Cruella 2 has been reported on but not officially announced. That will change at D23, the core team including Emma Stone is returning and there is already hints that the sequel could film early next year. We expect a full title announcement, we highly doubt Cruella 2 is the title.

[...]

[Daydreamer]

Tuto questo sarebbe strepitoso! E supererebbe di gran lunga il primo film.

Da The Disinsider

RUMOR: ‘Cruella 2’ Will Be A Musical, Taylor Swift Wanted For The Villain Role?
[...]
Yesterday, you might recall that we ran a story about both the live-action adaptations of Lilo & Stitch and The Hunchback of Notre Dame potentially being Disney+ exclusives. Today, we’d like to add that there’s a possibility that the recently announced sequel to Cruella could also be going directly to the streamer.

That’s not all though. We also heard that the film is being planned as a musical, which makes sense considering the music really defined the first one.

That’s not all!!! Apparently, Taylor Swift is already set to star in an antagonistic role that was described to us as “Cruella’s match.” This would line up with a rumor via Deumoix. Back in June they shared one of their ‘blind items’, which leaves out names and specifics for followers to work out. The post read, “This A+ singer who has a minor appearance in Cruella (very tiny, you probably haven’t even noticed) might have a larger part in the sequel…

For those who may not remember, franchise star Emma Stone can carry a tune – and won an Oscar for her joint comedic and musical performance in La La Land a few years ago. If all this info is true, Stone singing alongside multi-Grammy award winner Taylor Swift could make for one of Disney’s most entertaining live-action entries to date.

Once again – and we cannot emphasize this enough – there’s a chance some of this info could be wrong – that’s why we’ve listed it as a rumor and not a report. Hopefully Disney will offer some official clarification at their live-action panel next week.

[veu]

una svolta alla Joker, Folie à deux? là Lady Gaga, qua Taylor Swift...

stiamo ancora aspettando al varco Lady Gaga in un remake/reboot live action...

[veu]

Dal sito The Disinsider - Youtube:

[...]

4. Cruella 2

Emma Stone is back at the iconic Disney villain . We expect Disney will officially reveal the title of the movie and some new talent included in the project which we hear includes pop star Taylor Swift as the film's antagonist.

[...]